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Synopsis:
A wickedly funny, adrenaline-rush of a novel about a graduate student who murders bad men and justifies it in the name of feminism, by a bold new voice in fiction
Yrsa is in a funk. She’s bored of her PhD program, bored of her research on Afropessimism, bored of the entitled undergrads she has to cater to. But most of all, she’s bored of the men in her life—especially the bad ones.
When her best friend, Nina, confesses to having an affair with her professor, and that he’s stolen her research, Yrsa is mad. On the quad, Yrsa bumps into the professor and witnesses his an unfortunate incident involving his San Pellegrino and a bee allergy. What she sees that afternoon awakens something in a taste for murder.
Emboldened, Yrsa decides to chase that high, and soon, no sexist, misbehaving man within commuting distance is safe.
With each murder, Yrsa feels a greater sense of meaning and purpose—finally, her doctoral research feels useful. But how long can killing in the name of feminist and racial solidarity justify her actions? Will her rampage ever assuage her feelings of rage and revenge? And how long until her actions—and buried family secrets—come back to haunt her?
Review:
Afropessimism is a social critique that theorizes that Black people will always be seen in a civil society as enemies due to the racial structure of a society built on slavery, colonialism, and racism. Blackness is something that was born from enslavement and colonialism because of the way people of color were seen in society and this view has not changed nor will it change in the future. The only way that racism will end is if society ends. (I know there is more nuance to these ideas, but this is a very basic outline.) This is the backdrop of Yrsa’s thinking in Honey, the debut novel by Imani Thompson. Yrsa is studying at university and writing a paper on Afropessimism, and after a colleague steals her friend’s research and publishes it as his own, Yrsa starts to see that there is only one way to really deal with the frustration of being a black woman in society. Kill horrible men.
The story really makes sense in the simplest terms. Women are growing tired of terrible men, but most women do not do anything about it. Since Yrsa does not feel like she is in a society that accepts her anyway, she might as well try to change society in the small way that she can. When Yrsa confronts the research stealing colleague, they are talking about on a park bench. She sees a bee flying around his drink, and her intrusive thought to knock the bee into his drink win. Yrsa watches him die. This gives her a high that she has been craving, and the more that she looks around her, the more she sees that it is easy to point out terrible men who are successful while she is struggling. Horrible men are everywhere, and this makes it easy for her to start hunting for men who are sexist, misogynistic, and/or racist, and teach him a lesson.
I like Yrsa for her bored mischievousness. She does seem like someone who is having an existential problem with not feeling like she belongs anywhere in the world, and she is overwhelmingly bored by it. The only thing that makes her feel important is getting rid of horrible men. She is someone who needs more help than society is willing to give her, and this also plays into her feelings on society due to her research on afropessimism. She feels like the social structure has let her and all women down, and there is no real redemption through the expected channels. She finds her own way to help herself, even if that has turned her into a monster. I enjoy thinking about the questions that this novel asks, and it makes me wonder how many women will read this novel and completely agree with Yrsa’s actions. Honey reminds me of American Psycho in a way that it is more about the commentary on society than it is about a clean resolution of the story.
I received this as an ARC from Netgalley in exchange for an honest review.








