Review: Starter Villain by John Scalzi

Posted on September 22, 2023 by ghostvillehero

Buy it here:

Bookshop, Amazon

Synopsis:

Following the bestselling The Kaiju Preservation Society, John Scalzi returns with Starter Villain, another unique sci-fi caper set in the strangest of all worlds, present-day Earth.

Inheriting your mysterious uncle’s supervillain business is more complicated than you might imagine.

Sure, there are the things you’d expect. The undersea volcano lairs. The minions. The plots to take over the world. The international networks of rivals who want you dead.

Much harder to get used to…are the the sentient, language-using, computer-savvy cats.

And the fact that in the overall organization, they’re management…

Review:

The cover and title of this book alone should make you want to read it. There is a stereotype that if any pet would be a villain, it would be a cat, and the team that designed the cover for Starter Villain has used this to their advantage. Hopefully many people will read this book because of the cover alone. When I saw it, I knew it was a must read before I even knew what the novel was about.

I read and reviewed Scalzi’s last novel The Kaiju Preservation Society and enjoyed it immensely. Starter Villain feels like it follows the same idea of The Kaiju Preservation Society. Both have main characters that are down on their luck, both get picked out of their circumstances to join an underground society that has immense challenges but immense rewards, and both of these “fish out of water” main characters have the uncanny ability to navigate these strange new roles to become unlikely successes. In Starter Villain, Charlie has a rich uncle that he has only met once who leaves his fortune to him. His uncle dies, and he quickly learns that his uncle’s fortune is not on in parking garages but in being a world villain. He has a secret lair on a volcanic island. He has dolphins that curse. He has genetically modified cats that are used as spies. Charlie quickly learns that there are other supervillains throughout the world that did not like his uncle, so by turn, they do not like him. He has to navigate this new world, find out how to do business with his new associates, and not get killed in the process.

This novel, like The Kaiju Preservation Society, spends a great deal of time with world building. This novel takes the first two-thirds to build his dead uncle’s world, and Charlie as a character. Fortunately this does not feels like an information dump as much as a slow build. It takes time, and the novel is almost done before we get a basic understanding of what Charlie’s uncle has pushed him into. By the time that the Charlie has to make some real decisions to save his life, the novel is over. I would not cut back on the first two-thirds as much as make the book a little longer, find some other things about this world to explore (because there are many things that are mentioned in passing that should be expanded). As it is, as soon as we get a good sense of how entertaining and fun this world is, the story is over.

Entertaining and fun is how I would describe both The Kaiju Preservation Society and Starter Villain. There are incredibly funny scenes (like the Zoom call and the dolphin union negotiations), and Scalzi gives the impression that he has a good time writing these novels. Starter Villain is very enjoyable, humorous, and has a great set of characters. I just wish there was a bit more plot after the world is built. 

I received an ARC through NetGalley in exchange for an honest review.

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Review: The Complete Stories of Leonora Carrington

Posted on September 18, 2023 by ghostvillehero

Buy it here:

publisher, Bookshop, Amazon

Synopsis:

Surrealist writer and painter Leonora Carrington (1917-2011) was a master of the macabre, of gorgeous tableaus, biting satire, roguish comedy, and brilliant, effortless flights of the imagination. Nowhere are these qualities more ingeniously brought together than in the works of short fiction she wrote throughout her life.

Published to coincide with the centennial of her birth, The Complete Stories of Leonora Carrington collects for the first time all of her stories, including several never before seen in print. With a startling range of styles, subjects, and even languages (several of the stories are translated from French or Spanish), The Complete Stories captures the genius and irrepressible spirit of an amazing artist’s life.

Review:

Leonora Carrington lived an interesting life, not in a sense that she lived 94 years, was a founder of the women’s liberation movement in Mexico and the lover of painter Max Ernst. Her life was interesting because of the way that she saw things, the way that she painted and the way that she wrote fiction. Her sensibility and style had to seep into every part of her life, and she was probably one of the most interesting people in the neighborhood. 

In a surrealistic style that was dominated by male writers, Carrington wrote some of the greatest weird short stories and was mostly ignored. Dorothy, a Publishing Project, has compiled all of her short stories, including three that are previously unpublished, and the collection is a little over 200 pages. The early stories seem to be more sketches and ideas than the later stories. Carrington writes about all sorts of things in nature. She makes them do things, particularly stories involving talking horses and cats, and stories like “Uncle Sam Carrington”, she writes of vegetables fighting one another in the garden. The early stories are filled with whimsy and charm whereas the later stories, like “The Seventh Horse” and “My Mother is a Cow” start to really fall into the deep end of the weird. I finished a few of these final stories wondering what it was that I just read. Carrington writes these stories in a way that make them easy to read, but if you are not paying attention, you can get lost quickly. There were a few times I had to reread paragraphs because my mind wandered away, and she places so much within each sentence that you can make it half way down a page and realize you have wandered completely off of the path. 

Leonora Carrington died in May 2011. When Jeff Vandermeer wrote about her on his website, he said this: 

“Carrington is an under-appreciated writer. In genre circles, it’s in part because she wrote most of her fiction decades ago but also in part because she’s not identifiably a genre writer.” 

I agree with this statement because even though these stories have talking animals and weird plots, I do not see this particularly fitting into any sort of genre. These are good stories that came from the mind of someone who saw the world in a much more fascinating way than I do. 

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Review: Not Forever, But For Now by Chuck Palahniuk

Posted on August 28, 2023 by ghostvillehero

Buy it here:

Amazon, Bookshop

Synopsis:

From the bestselling author of Fight Club comes a hilarious horror satire about a family of professional killers responsible for the most atrocious events in history and the young brothers that are destined to take over.

Meet Otto and Cecil. Two brothers growing up privileged in the Welsh countryside. They enjoy watching nature shows, playing with their pet pony, impersonating their Grandfather…and killing the help. Murder is the family business after all. Downton Abbey, this is not.

However, it’s not so easy to continue the family legacy with the constant stream of threats and distractions seemingly leaping from the hedgerow. First there is the matter of the veritable cavalcade of escaped convicts that keep showing up at their door. Not to mention the debaucherous new tutor who has a penchant for speaking in Greek and dismembering sex dolls. Then there’s Mummy’s burgeoning opioid addiction. And who knows where Daddy is. He just vanished one day after he and Mummy took a walk in the so called “Ghost Forest.”

With Grandfather putting pressure on Otto to step up, it becomes clear that this will all end in only two a nuclear apocalypse or just another day among the creeping thistle and tree peonies. And in a novel written by Chuck Palahniuk, either are equally possible.

Review:

Not Forever, But For Now, the latest book by Chuck Palaniuk starts with brothers, Otto and Cecil, watching a nature show about kangaroos. The small joeys have to climb up the kangaroo mother and into the pouch to find shelter and milk. This becomes the metaphor of the entire novel. Otto and Cecil are the baby kangaroos, born into a family of assassins, trying to get up their mother’s leg, to find shelter and warmth from her. They try to accomplish this by doing disgusting and evil things to the help (the maids, governesses, chauffeurs, and tutors), to strangers, and to each other. Otto, the oldest, wants nothing but to be noticed, doing whatever he can to get this accomplished. This includes escaping the estate to dress up in drag and dance for the drunks at the local tavern, be pen pals with pedophiles, serial killers, and the criminally insane (letters that explicitly tell these killers that he wants to have sex with them while they murdered him, or after they murdered him, whichever they prefer), corrupting the Jesuit tutor, and of course having continuous sex with his brother. These calls for attention get more and more drastic and depraved, and eventually Otto and Cecil do not have many other things they can do except blow up the world. 

This story is not for everyone. Chuck Palaniuk has never been for everyone, and he is also working hard on getting rid of the people who just like him because of his earlier novels. Fight Club was released when I was nineteen years old, and it was a great novel for a nineteen-year-old. This was 27 years ago. I am not the same reader as I was then, and Palaniuk is not the same writer. Sure he uses some of the same techniques he has always used (depravity, repeated terms and phrases, deep dives into a certain subject that his characters use as coping mechanisms, etc), but his stories, particularly this novel and his last, Invention of Sound, feel like he is trying to write stories that are more for the grown fans of Fight Club, those who are now older and have different concerns. Whereas Fight Club is about trying to change the world, Not Forever, But For Now is about family, about trying to get the attention of absentee parents, and about leaning on each other when the whole world is against you.

I have read many Chuck Palaniuk books, and for the longest time, I thought I had outgrown his writing. I still do not think he is flawless, but I feel a glimmer of hope in his future books. Fortunately his last two novels have brought me back into the fold and make me more excited than I have in years about what Palaniuk might do next.

*Spolier-ish theory*

This also feels like a final send off to Fight Club and the early writings of Chuck Palaniuk. We have Otto and Cecil. They were five and three when their father disappears and their mother tells them that they will no longer age in their estate, no longer celebrate birthdays or get older. Thirty years have passed since then. In those thirty years, they get to the point where they still do the horrible stuff, but they also grow up even though they’re told they are not supposed to. They steal cars. They dump them into a lake. They corrupt the staff around them. They invent an app that is clever and sad at the same time. The crimes get more and more outlandish but they also get to where they are bored with things, where they will not do certain things (like killing animals), and this “maturity” happens whether they want it to or not, until they have to plot to destroy the world. They start doing some of the same things Tyler Durden was doing, and this final meltdown echoes the same meltdown in Fight Club. This could be a send off to Fight Club and the book that many people have tried to use to keep him from aging as a writer for, well, thirty years. 

I received this as an ARC from NetGalley in exchange for an honest review.

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Review: Cold, Black & Infinite: Stories of the Horrific & Strange by Todd Keisling

Posted on August 25, 2023 by ghostvillehero

Buy it here:

Cemetery Dance Publishing, Amazon, Bookshop

Synopsis:

Down here in the dark lies a vast and twisted landscape where the wicked, wistful, and profane coalesce. This is where the lonely and lost face their demons, where anxious paranoias are made manifest, and where mundane evil wears a human face. For readers, the sixteen stories found within Cold, Black, & Infinite serve as a harrowing glimpse into the nightmarish imagination of
Todd Keisling, Bram Stoker Award-nominated author of Devil’s Creek and Scanlines.

Visit a town where the residents are slowly being replaced by mannequins in “We’ve All Gone to the Magic Show.” Go for a drive and discover your favorite radio host is still transmitting from beyond the grave in “Midnight in the Southland.” Laugh at Karen’s misfortune when she learns necromancy isn’t the best way to raise a child in “Afterbirth.” And uncover the true motivation behind one man’s historical betrayal in “Gethsemane.”

Featuring three previously unpublished stories and an introduction by Bram Stoker Award-winner John Langan, Cold, Black, & Infinite establishes Keisling as a leading voice in contemporary indie horror.

Cast your doubts aside and take the plunge. Touch the abyss. It’s waiting.

Review:

Todd Keisling’s last novel, Devil’s Creek was an unsurprising hit. The plot is good, the characters are interesting, and the writing is superb. I did not connect with the novel like some other readers, but it was more my taste than the book itself. This is why I am thrilled to give Keisling another deserved shot. His short story collection Cold, Black, & Infinite: Stories of the Horrific & Strange is a much more appealing representation of his work. The sixteen stories are broken into three different, distinct sections, each with a different markedly different themes. 

The first section “Cold” has five stories, all but one of them taking place on a holiday (if you include Black Friday as a holiday). Each of these stories also have an element of the paranormal and otherworldly. My favorite of these stories, and possibly my favorite story in the collection is “The Happytown Yuletide Massacre”, a story about Angela returning to her hometown on Christmas Eve, possibly to be swept off of her feet by a hometown suitor. This is perfectly setup to echo Hallmark Christmas movies, but of course this one goes very wrong. The ending is very much turns the entire story into a cosmic horror. 

The second section, “Black”, contains five stories that are motivated by revenge. My favorite of this group is “Tommy The Destructo-Bot Vs. The Bullies from Future Street.” The story stars Tommy Slone, a handicap kid that is being picked on by the neighborhood bullies. When he meets Old Lady Future, part witch, part mad scientist, she promises him revenge if she can turn him into his favorite comic book superhero. 

The final section, “Infinite” contains six stories. All of them have a darkness or infinite void that the characters are either facing or jumping into. My favorite of these, “The Smile Factory,” is about the promotion of Marty Godot from cubicle worker to management. In this apocalyptic world, everyone is falling apart, and the higher you climb in the corporate structure, the less human you become. It reminds me of the Zach Galifianakis movie, Visioneers (2008), a little frightening with very dark humor.

Of all three sections, I love every single story in the first two. The third section was a problem for me because I but did not really connect with the stories. The themes of darkness and facing the void are not as interest to me as the overarching themes in the other two sections. Of course this section could be another reader’s favorite because it’s a theme they love. The last section falls into the same problem that I had with Devil’s Creek: the stories are good but they are not my favorite type of stories.

I received an ARC from NetGalley in exchange for an honest review.

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Review: Their Four Hearts by Vladimir Sorokin

Posted on August 23, 2023 by ghostvillehero

Buy it here:

Dalkey Archive, Amazon, Bookshop

Synopsis:

In many respects, Their Four Hearts is a book of endings and final things. Vladimir Sorokin wrote it in the year the Soviet Union collapsed and then didn’t write fiction for ten years after completing it–his next book being the infamous Blue Lard, which he wrote in 1998. Without exaggerating too much, one might call it the last book of the Russian twentieth century and Blue Lard the first book of the Russian twenty-first century. It is a novel about the failure of the Soviet Union, about its metaphysical designs, and about the violence it produced, but presented as God might see it or Bataille might write it.

Their Four Hearts follows the violent and nonsensical missions carried out by a group of four characters who represent Socialist Realist archetypes: Seryozha, a naive and optimistic young boy; Olga, a dedicated female athlete; Shtaube, a wise old man; and Rebrov, a factory worker and a Stakhanovite embodying Soviet manhood. However, the degradation inflicted upon them is hardly a Socialist Realist trope. Are the acts of violence they carry out a more realistic vision of what the Soviet Union forced its “heroes” to live out? A corporealization and desacralization of self-sacrificing acts of Soviet heroism? How the Soviet Union truly looked if you were to strip away the ideological infrastructure? As we see in the long monologues Shtaube performs for his companions–some of which are scatological nonsense and some of which are accurate reproductions of Soviet language–Sorokin is interested in burrowing down to the libidinal impulses that fuel a totalitarian system and forcing the reader to take part in them in a way that isn’t entirely devoid of aesthetic pleasure.

As presented alongside Greg Klassen’s brilliant charcoal illustrations, which have been compared to the work of Bruno Schulz by Alexander Genis and the work of Ralph Steadman as filtered through Francis Bacon by several gallerists, this angular work of fiction becomes a scatological storybook-world that the reader is dared to immerse themselves in.

Review:

When I reviewed Vladimir Sorokin’s The Blizzard in 2016, I started the review with the sentence: “Vladimir Sorokin is nuts.” I do not remember everything about The Blizzard, but I do know that this level of nuttiness in The Blizzard does not compare to Their Four Hearts. Nuts is not even where I would begin to describe what Sorokin does in this novel. 

The story centers around four characters. They could be spies or terrorists or working for the government or working against the government. I think that at certain points, all of these things are true. These four characters have missions they carry out, missions that make no sense, looking for information that makes even less sense. All that we know is that these missions are violent, disgusting, and brutal. Deaths are horrific. The treatment of women is misogynistic and grotesque. There are moments that rival the best extreme horror novels, moments that make you cringe while you read and contemplate your life. Some of the reviews have the readers throwing away the book instead of finishing it. Those who quit early should not be alarmed that Their Four Hearts does to get any better and does not get any easier to read. 

So why do I like this novel so much? This is a question that cannot really be explained. The entire novel is more about the four characters than the nonsense that surrounds them. These are archetypes of characters in 1990s Russian society, which was rapidly changing at the time. Even though each of the characters are horrible people in their own ways, there seems to be an earnestness in the way they feel about the importance of the missions that they are carrying out. Missions that seemingly have no meaning or purpose. In the end, I like the feeling of the book and the brutalness of the action. The four main characters have to contribute to this ugliness of fit in because the final mission might be one of sheer beauty.


Vladimir Sorokin’s next novel, Blue Lard, led to public demonstrations and calls for his execution as a pornographer, but I am certain that the reason why Blue Lard caused this reaction is because the people just did not read Their Four Hearts. I enjoyed it, but it is also something I would not want my mother to catch me reading.

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Review: Mister Magic by Kiersten White

Posted on August 17, 2023 by ghostvillehero

Buy it here:

Amazon, Bookshop

Synopsis:

Who is Mister Magic? Former child stars reunite to uncover the tragedy that ended their show—and discover the secret of its enigmatic host—in this dark supernatural thriller from the #1 New York Times bestselling author of Hide.

Thirty years after a tragic accident shut down production of the classic children’s program Mister Magic, the five surviving cast members have done their best to move on. But just as generations of cultishly devoted fans still cling to the lessons they learned from the show, the cast, known as the Circle of Friends, have spent their lives searching for the happiness they felt while they were on it. The friendship. The feeling of belonging. And the protection of Mister Magic.

But with no surviving video of the show, no evidence of who directed or produced it, and no records of who—or what—the beloved host actually was, memories are all the former Circle of Friends has.

Then a twist of fate brings the castmates back together at the remote desert filming compound that feels like it’s been waiting for them all this time. Even though they haven’t seen each other for years, they understand one another better than anyone has since.

After all, they’re the only ones who hold the secret of that circle, the mystery of the magic man in his infinitely black cape, and, maybe, the answers to what really happened on that deadly last day. But as the Circle of Friends reclaim parts of their past, they begin to wonder: Are they here by choice, or have they been lured into a trap?

Because magic never forgets the taste of your friendship. . . .

Review:

Kiersten White’s last novel, Hide, is a great story with poor execution. White’s follow-up, Mister Magic, is another novel that has a great premise but even poorer execution. The story starts with a tragedy that stopped a popular children’s show, Mister Magic. Thirty years later, the final kids on the show reunite as adults to be interviewed for a podcast. There is a great deal of mystery behind the end of the show, and Val, who was kidnapped by her father, holds the key. 

Like Hide, Mister Magic is written with paper thin characters which mostly rely on cliches. Most of the focus is on Val, the one who was leader on the show, and the one who has forgotten absolutely everything about her life on Mister Magic. It is hard to believe that Val has so much trauma amnesia surrounding an event that she did not see. By the time the traumatic event happened that ended the show, she was already gone. So why does she have so many memories that are blocked out? It does not make sense, and it is frustrating for Val to be the main narrator when most of the first half of the novel is her saying she does not remember any of it. Val is one of the most bland and uninteresting main characters I have read in a long time. She is so boring that I do not care what happens to her or anyone else in this book. The truth is that all of these characters are so vanilla, so boring, that the only thing that could possibly save them is a great story. 

But the story turns out to be very safe. There is no threat of danger, no real fear except for them confronting their past. I did not get a sense at any point that these people were in any sort of severe peril. Even when they venture into the small town of Bliss, they are not welcomed, but this is done in a pleasant way. I do not feel like anyone in charge of the bad things that are happening is willing to take any steps to put these character in physical harm. 

I get the point of Mister Magic. I get that this is about changing kids that the cultish society finds undesirable by using conversion therapy. I get that Mister Magic is about getting kids to behave the way that the adults want them to behave. I just do not like the story or the execution or the boring characters that are brought back to face this childhood trauma. Kiersten White has pulled me in twice with great story ideas and frustrated me twice with how horrible the book turns out to be. I cannot be fooled again.

I received this as an ARC from NetGalley in exchange for an honest review.

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Review: The Child and The River by Henri Bosco

Posted on August 9, 2023 by ghostvillehero

Buy it here:

Amazon, Bookshop

Synopsis:

A new translation of an evocative, Huckleberry Finn –esque French bestseller about a young farmboy, the river where he is forbidden to play, and the adventures that ensue when he disobeys his family’s wishes.

The Child and the River tells a simple but haunting tale. Pascalet, a boy growing up on a farm in the south of France, is permitted by his parents to play wherever he likes—only never by the river. Prohibition turns into Pascalet dreams of nothing so much as heading down to the river, and one day, with his parents away, he does. Wandering along the bank, intoxicated with newfound freedom, he falls asleep in a rowboat and wakes to find himself caught in rapids and run aground on an island where a band of Gypsies has pitched camp together with their trained bear. Hiding in the underbrush, Pascalet observes that the group includes a boy his age, who, after receiving a whipping, has been left tied to a post. This is Gatzo, and as soon as night falls, Pascalet sets him loose. The boys escape in a boat and spend an idyllic week on the river. But then the mysterious “puppeteer of souls” arrives, bringing their adventure to an end, and Pascalet must go back home to face the music. Has he seen the last of his new friend?

Long hailed as a sort of French Huckleberry Finn , The Child and the River is, as Henri Bosco himself once wrote in a letter to a friend, “a novel very good, I think, for children, adolescents, and poets.” A beguiling adventure story, it is also beautifully written, full of keenly observed details of the river’s wilds, well captured by Joyce Zonana’s new translation.

Review:

Henri Bosco’s very thin novella, The Child and The River, is the story of Pascalet, a boy growing up isolated on a farm where he is allowed to explore everything as long as he stays away from the river. This only satisfies him for a short period of time before his curiosity gets the better of him. His parents are out of town, and he is left under the care of his father’s aunt, Tante Martine. She finds him only to yell at him before returning to the attic where she spends most of the day. Pascalet does not have anyone really paying attention to him, so after he has explored all that he can around the farm, he decides to check out the river. His excitement to see this forbidden place turns into an adventure when he falls asleep in an old boat and wakes up drifting on the river. The story has been described as a “French Huckleberry Finn”, but while reading it, I reminded me more of the scene in Night of the Hunter where the two kids take a boat down the river to escape Reverend Harry Powell (Robert Mitchum.) Of course they are running from danger of Reverend Powell whereas Pascalet is running from boredom but both have a similar feeling that when they finally get caught, they are in huge trouble. In both stories, the children do not know what is going to happen next, and there is nothing but adventure in front of them and trouble behind them.

The Child and The River is a short novella, only about 80 pages, and it feels like a character study more than a fully formed story. I like Pascalet as a grown man telling the story of when he was a child and floated down the river behind his family’s farm. We could feel the sense of wonder at all of the new things he was seeing, and the acceptance that there was going to be trouble when he returned back home, if he ever got there. I also feel the loneliness in the child, an isolated kid with parents that are gone and an aunt that is too busy with her own life to spend time with him. When he finds another boy, Gatzo, they become friends, simply because he is another boy around his age and someone to share his adventures with. The whole of the story is short and simple but very satisfying. There is the perfect balance between adventure and danger, exploration of nature, and lessons about growing up. Pascalet as an old man telling the story of himself as a child on the river is really telling the story of how he became the person that he is today.

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Review: The Handyman Method by Nick Cutter and Andrew F Sullivan

Posted on August 6, 2023 by ghostvillehero

Buy it here:

Amazon, Bookshop

Synopsis:

A chilling domestic story of terror for fans of Black Mirror and The Amityville Horror .

When a young family moves into an unfinished development community, cracks begin to emerge in both their new residence and their lives, as a mysterious online DIY instructor delivers dark subliminal suggestions about how to handle any problem around the house. The trials of home improvement, destructive insecurities, and haunted house horror all collide in this thrilling story perfect for fans of Nick Cutter’s bestsellers The Troop and The Deep.

Review:

The Handyman Method is a collaboration between Nick Cutter and Andrew F. Sullivan that started as a short story and eventually expanded to a full length novel, one piece at a time. It tells that story of the Saban family, Trent, Rita, and their son Milo, who move into their dream home, only to find nothing but problems. Trent’s personality radically starts to change as soon as they move in after he finds a crack in the drywall closet and decides to fix it himself. He is angry at the housebuilder, but with the help of a handyman channel on YouTube, the job should be fairly easy. It does not take long for his home improvements to become an obsession, his trips to the Home Depot to become a daily occurrence, and Trent turns into a chauvinistic, insufferable prick. This structure and story reminds me so much of The Shining, where a husband, wife, and son are in a building that has wide influence on the father, to the point where the father loses sight of the person he is supposed to be. Trent’s transformation is much more severe than Jack Torrence’s but Rita has an option that Wendy did not have. She can leave.  The novel progresses and the situation grows worse and worse, until the only thing that can happen is for Trent to fight the house.

I loved a large majority of this novel. Even though Trent does things that made me very uncomfortable while reading them, I know that this is him compensating for the insecurities that he feels, that way that he makes mistakes throughout his whole life, and that the house is exploiting these feelings. Trent is purposefully written as a horrible person doing horrible things, and even though we do not necessarily like Trent  at all through this novel, Cutter and Sullivan construct a family that we want to survive this house.

This is sort of a haunted house novel, but the house really psychologically manipulating Trent instead of trying to scare him. Everything that it does to him is upfront and bold. Whether it be a crack in the wall, a leaky outside faucet, or the house sinking and the roof caving in, the house uses it’s forces to draw Trent obsession with home improvements into a mixture of male ego accomplishment and utter destruction beyond Trent’s abilities to fix, thus turning Trent into an increasingly belligerent person. The house does some very weird things, and I liked that the battle between the house and Trent turns into a war.

I enjoyed The Handyman Method much more than I have enjoyed many books I have recently read. However this is one of those rare books that I could have used a bigger information dump in the final quarter to really understand the history behind what was happening. The ambiguity does work, but I would have loved to have a little more a history lesson. Other than that, this is a very good, psychologically frightening novel. If Nick Cutter and Andrew F Sullivan decide to write another novel together, I will be excited to read it.

I received this as an ARC from NetGalley in exchange for an honest review.

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Review: Silver Nitrate by Silvia Moreno-Garcia

Posted on August 4, 2023 by ghostvillehero

Buy it here:

Bookshop, Amazon

Synopsis:

From the New York Times bestselling author of The Daughter of Doctor Moreau and Mexican Gothic comes a fabulous meld of Mexican horror movies and Nazi occultism: a dark thriller about the curse that haunts a legendary lost film–and awakens one woman’s hidden powers.

Montserrat has always been overlooked. She’s a talented sound editor, but she’s left out of the boys’ club running the film industry in ’90s Mexico City. And she’s all but invisible to her best friend, Tristán, a charming if faded soap opera star, though she’s been in love with him since childhood.

Then Tristán discovers his new neighbor is the cult horror director Abel Urueta, and the legendary auteur claims he can change their lives—even if his tale of a Nazi occultist imbuing magic into highly volatile silver nitrate stock sounds like sheer fantasy. The magic film was never finished, which is why, Urueta swears, his career vanished overnight. He is cursed.

Now the director wants Montserrat and Tristán to help him shoot the missing scene and lift the curse . . . but Montserrat soon notices a dark presence following her, and Tristán begins seeing the ghost of his ex-girlfriend.

As they work together to unravel the mystery of the film and the obscure occultist who once roamed their city, Montserrat and Tristán may find that sorcerers and magic are not only the stuff of movies.

Review:

Silvia Moreno-Garcia’s latest novel Silver Nitrate starts with two childhood friends, Montserrat and Tristan. Montserrat grew up to work on the sound design for films and Tristan grew up to be a soap opera actor. Their friendship has been on and off (usually off when Tristan has a lover and on again when he is single). When Tristan’s latest relationship fizzles, he moves into a new apartment building, one that also houses Abel Urueta, a cult horror filmmaker they both loved growing up. When Montserrat and Tristan have dinner with Abel, the subject turns to his lost film, Behind the Yellow Wall. There is rumor that the film is lost but it is also cursed, that many of the people around it have died or had bad luck. Abel says that most of the film has been destroyed, except for one roll. He talks them into helping him finish the sound for this section of film, and afterward the world turns upside down.

This novel has many great aspects that make it a tense thriller with horror aspects. The playing of the film unravels the rest of the story around the filming. With cultists, black magic, Nazis, and curses following Montserrat and Tristan, they race against time and death to get to the bottom of the mystery of the film and the filmmakers. The story is interesting, but I did not fall in love with this novel like I have with previous Moreno-Garcia novels. She has written a large variety of novels, and this is a 90s cult horror-thriller. This sounds like a story that could be remarkable, but I felt the final third of the book being a slog. The finale felt a little underwhelming based on the buildup, and a novel that is interesting and starts out great does not end with the same amount of momentum. This could have been because I did not really feel connected to the characters. Tristan and Montserrat were decent but they were not people that I cared about by the time they were in serious trouble. 

Silvia Moreno-Garcia is an author that cannot be accused of writing the same book twice. I would much rather read an author that does this than an author that relies on the same troupes and stories that gave them popularity. Even if some of the novels are not as good as others. I respect that she is writing a large scope of stories, and that sometimes it is my fault that I did not connect with this story as much as I did with a different one. Silver Nitrate is one I did not connect with as deeply as Mexican Gothic or Signal to Noise, but this definitely does not discourage me from waiting impatiently for her next novel. 

I received this as an ARC from NetGalley in exchange for an honest review. 

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Review: Everything the Darkness Eats by Eric LaRocca

Posted on July 18, 2023 by ghostvillehero

Buy it here:

Amazon, Bookshop

Synopsis:

An insidious darkness threatens to devastate a rural New England village when occult forces are conjured and when bigotry is left unrestrained.

After a recent string of disappearances in a small Connecticut town, a grieving widower with a grim secret is drawn into a dangerous ritual of dark magic by a powerful and mysterious older gentleman named Heart Crowley. Meanwhile, a member of local law enforcement tasked with uncovering the culprit responsible for the bizarre disappearances soon begins to learn of a current of unbridled hatred simmering beneath the guise of the town’s idyllic community—a hatred that will eventually burst and forever change the lives of those who once found peace in the quiet town of Henley’s Edge.

From the Bram Stoker Award®-nominated author of the viral sensation, Things Have Gotten Worse Since We Last Spoke, Everything the Darkness Eats is a haunting supernatural thriller from a new and exciting voice in genre fiction.

Review:

I have been a fan of Eric LaRocca’s work up until this point. Their short story collections and novellas are haunting, interesting, and filled with grotesque and wonderful scenes. There was no way that I was not going to pre order their first novel Everything the Darkness Eats and devour it. 

This is a much more tame and less thrilling incarnation of LaRocca’s writing. The novel takes place in a small town where people are disappearing but nobody notices the Rolls Royce creeping down the street, stalking these people. Inside the Rolls Royce is Heart Crowley, a person who is using dark magic in the basement of his mansion. A parallel story is about Malik, a Muslim-raised police officer in town who is supposed to be investigating these disappearances but is distracted by hate crimes committed against him and his husband Brett. The two stories barely intersect, and in the end, neither of the stories have a very satisfying resolve. There are so many holes in the story, so much that just doesn’t add up that throughout the novel, I could not find myself as engaged as much as I found myself finding the whole thing absurd. When reading horror, the reader has to suspend belief, but in Everything the Darkness Eats, so much has to be overlooked that the novel that it really does not work. 

Of my many questions about this novel, one of my biggest questions is about Malik and his husband Brett. Malik is a police officer, but when someone breaks into his home, the rest of the police force does nothing for him. Even though this might be the unfortunate reality with those in the LGBT+ community, Malik is one of them (i.e. a police officer). The is no doubt that his coworkers on the force had prejudices against him before the hate crime so how was he getting along with the police department before they turned against him? This is not explained. He does leave after the incidents in his home, but you cannot tell me that the language that the officer uses against Malik when investigating is new, that Malik does not receive this kind of reception at his job every day. The interpersonal relationships of every single character in this novel seems so off that it is a distraction. This makes the characters and story unbelievable. 

This whole novel is a disappointment. I wanted to be able to say that LaRocca knocked this story out of the ballpark and that everyone should read it, but honestly, I cannot recommend this. It is a poor execution of a story that could have been so much more. 

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