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Synopsis:
The funny, sharp, and surprising story of the shooting of a Brooklyn drug dealer and the people who witnessed it—from James McBride, author of the National Book Award-winning The Good Lord Bird
In September 1969, a fumbling, cranky old church deacon known in the neighborhood as Sportcoat shuffles into the courtyard of the Causeway Housing project in south Brooklyn, pulls a .38 from his pocket, and in front of everybody shoots the project’s drug dealer at point-blank range.
The reasons for this desperate burst of violence and the consequences that spring from it lie at the heart of Deacon King Kong, James McBride’s novel and his first since his National Book Award-winning The Good Lord Bird. In McBride brings to vivid life the people affected by the shooting: the victim, the African-American and Latinx residents who witnessed it, the white neighbors, the local NYPD cops assigned to investigate what happened, the members of the Five Ends Baptist Church where Sportcoat was deacon, the neighborhood’s Italian mobsters, and Sportcoat himself.
As the story deepens, it becomes clear that the lives of the characters—caught in the tumultuous swirl of New York in the late 1960s—overlap in unexpected ways. When the truth finally emerges, McBride shows us that not all secrets can be hidden, that the best way to grow is to face change without fear, and that the seeds of love lie in compassion and hope.
Review:
Deacon King Kong is a novel set in Brooklyn, 1969. The Causeway Housing project is changing due to the introduction of heroin, and the biggest drug dealer in the projects, Deems Clemens is shot by one of the deacons of Five Ends Baptist Church, Cuffy Lambkin, also known as Sport Coat. Sport Coat is an old drunk who immediately forgets that he shot Deems, blowing off his ear. When people are coming after him for vengeance and justice, Sport Coat haphazardly navigates through the danger. Also with Deems shooting, rival drug factions see this as an opportunity to muscle into Deems territory. This one strange event opens up a huge plot to take over control of the heroin trade in the project. Deacon King Kong is part crime thriller, part comedy of errors, part social commentary, and completely a redemption story.
All of the characters in Deacon King Kong are well constructed, but none of them are as entertaining and create as much empathy as Sport Coat. He is 71, lost his wife after she walked into the harbor, and has drank himself blind since. His favorite is King Kong, a homemade hooch that he drinks from basement to basement in the project houses. He has a few odd jobs that do not get in the way of his drinking, spends a great deal of time talking to his dead wife, and by the time he shoots Deems, he is so lost in booze and his grief that he does not understand why Deems would be mad because he was always so good to Deems. His blindness to the situation, and the way that he walks through the scenes oblivious to everything in the world besides where he is going to get his next bottle, makes me think of the phrase, “God takes care of babies, fools, and drunks.” God is taking care of Sport Coat throughout this novel, protecting him while he lives his life, walking through a tornado not seeing all of the problems swirling around him.
Everything that James McBride writes wins awards and for good reason. If you are not interested in the stories that McBride tells, come for the writing. The way that he structures scenes and stories, the way that we understand the history of all of these characters and the neighborhood, makes me as the reader feel like I am sitting with McBride in the basement of a building on wooden crates, passing a bottle of booze back and forth, while McBride tells me the stories of the neighborhood, about what happened after the deacon of the church shot the local drug dealer. There are some lines in this novel that made me laugh out loud, but there are also parts, particularly about race relations, that really make me pause and think. There is poignant modern political and social commentary mixed in with a story set in the late sixties, and we can see that McBride is using this story not only as a funny and entertaining neighborhood crime story but as a vehicle to remind us that nothing much has changed in sixty years.








Review: The American Daughters by Maurice Carlos Ruffin
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Synopsis:
A gripping historical novel about a spirited young girl who joins a sisterhood of Black women working together to undermine the Confederates—from the award-winning author of We Cast a Shadow
The American Daughters follows Ady, a curious, sharp-witted girl who is enslaved alongside her mother, Sanite to a businessman in the French Quarter of New Orleans. Sanite and her mother Ady are an inseparable duo—taking walks along the river, working together in the fields and spending nights looking up at the stars, dreaming. Ady’s favorite pastime is listening to Sanite’s stories of her families’ origins, their fierce and rebellious nature, and the everlasting love that strengthens their bond.
When mother and daughter are separated, Ady is left hopeless and unmoored, until she stumbles into the Mockingbird Inn and meets Lenore, a free Black woman with whom she becomes fast friends. Lenore invites Ady to join a clandestine society of spies called The Daughters. With the courage instilled in her by Sanite—and help from these strong women—Ady learns how to choose herself. So begins her journey toward liberation and imagining a new future. The American Daughters is a novel of hope and triumph that reminds us what is possible when a community bands together to fight for their right to live free.
Review:
The American Daughters, the second novel and third book by Maurice Carlos Ruffin, is a historical novel about Ady, a slave girl, who lives in a New Orleans and eventually finds kindred spirits in the women who work at The Mockingbird, a club ran by a free woman, Lenore. Ady is introduced by Lenore to a group of women spies who do things to undermine and sabotage the confederacy. Their actions do not stop the confederacy and slave owners from punishing them, but the war that the women wage against the oppressive men and government is one that makes them feel vindicated. Their work is justified for their work, regardless of the consequences.
Ady (sort for Adebimpe) is an easy character to like and cheer for. She is intelligent, strong, and defiant in the face of ugliness and hatefulness. In books about slavery, readers are hard pressed to ever find any sort of compassion toward a slave owner, so it is easy to want Ady and to succeed in everything that she does, whether it be running away into the woods with her mother, Sanite, while as a little girl, or plotting with her spy friends to undermine the confederacy and her owner. We want her to be successful. The danger that she finds herself in does lead to parts of the novel where the tension increases, but most of the time, the things that she is doing feel like things that she should get away with. She is doing the right thing, even with the dangers that it brings.
Maurice Carlos Ruffin has written a novel that is more serious than most of his other stories, but slave stories come with a natural tone of seriousness. He does find the ability to add a bigger story to this novel, one that brings home the social commentary at the center of this book. There are a few parts written in the far future, from historians and family members generations removed, who are using the text of The American Daughters as the true records of what slavery is like. Ruffin is saying that at this moment, we are still close enough to American slavery that there is a strong narrative, but in one hundred and fifty years, the only record we might have left is the stories that have been passed along from the actual slaves themselves. The official narrative will eventually diminish the centuries of slavery in America into a footnote, so it is up to personal stories, memoirs and biographies, and even some fiction, to continue the true narrative of slavery in America. I would have liked more of these cuts to the future throughout the novel and how this story has turned into an important historical document, because this idea is subtle, and it takes the epilogue for this idea to really be solidified. The American Daughters is another great story by Maurice Carlos Ruffin, and even though it is a little more serious in tone than his previous works, his social commentary is just as strong.
I received this as an ARC from NetGalley in exchange for an honest review.